Handley brings experience, lifelong love of art to Nacogdoches
October 23, 2012 - Robbie Goodrich
NACOGDOCHES, TEXAS - John Handley grew up in a family of artists - musicians especially.
"But my mother was, and is, a painter, so I was painting at a very early age," he said.
Handley, the new art galleries director for Stephen F. Austin State University's School of Art, said he has "never known life without art of some form or another."
"And in many ways, this is the primary lens in which I see the world," he said.
Beginning his new duties earlier this month, Handley has been busy meeting SFA faculty, students and staff, brainstorming with them and discussing future projects and exhibitions.
"My first duty as director is to ensure that we provide a wide variety of exhibitions on art of the highest caliber for the students of SFA," he said. "That is an important part of their education, and for not only the art students but for all SFA students."
But that focus does not exclude his desire to bring exhibitions to SFA galleries that would be of interest to the Nacogdoches community as a whole, he said, adding all gallery patrons benefit from distinctive exhibitions and programs.
"The Cole Art Center has a history of exhibiting local artists and working with local art groups, and this will certainly continue," Handley said. "We are also planning for the annual Art Walk downtown next month, and we have invited some of the art students to be here to present and sell their work and meet the public. It ought to be a great time and great exposure for these young artists."
A wealth of experience
Handley earned his undergraduate degree in studio art and art history from Western Washington University. During that time, he worked as a student intern at the Whactom Museum of History and Art and The Western Art Gallery. While earning his master's degree in museum studies from John F. Kennedy University, Handley worked at the Judah L. Magnes Museum in Berekley, during which time he worked on the preparation and delivery of 175 Judaica artifacts for the exhibition "Patterns of Jewish Life in the World" at the Martin Gropius Building in Berlin.
For many years, Handley was the collections manager for the Museum of Vision, Foundation of the American Academy of Ophthalmology in San Francisco where he worked with medical history scholars, created history of medicine exhibitions and publications and developed informal science exhibitions and curriculum for school-age children. He also worked with small museums in the Santa Clara Valley developing local history exhibitions.
Handley returned to graduate studies in 2002, first in theology, ultimately completing his doctorate in art history and religion from the Graduate Theological Union in Berkeley.
"There, I had the wonderful opportunity to work with and be mentored by two luminaries in the field of art - Peter Selz and Jane Dillenberger," he said. "For the past few years, I have worked with Peter Selz on exhibitions and special projects at the Meridian Gallery in San Francisco, a nonprofit art center."
There, they launched "Patrick Graham: The Silence Becomes the Painting," which has just left Washington, D.C., and is now at Saint Louis University. Handley and Dillenberger recently co-authored "The Religious Art of Pablo Picasso," which is being published by the University of California Press and should be out next summer.
"I owe a great deal to these two individuals for how they have included me in their work," he said.
Early on in his doctoral work, Handley said he realized how much he enjoyed university settings.
"They differ in many ways from typical museums," he said, "because of the atmosphere of learning and the steady stream of students and faculty. I felt this was a better fit for me than perhaps a 'regular' museum setting, so I decided that once I had completed my degree, I would look for this type of position. There's just a different energy when there is a steady stream of students.
"What attracted me especially to SFA was that there are galleries both downtown and on campus - really the best of both worlds," Handley said.
Texas National in April is front and center for Handley.
"I look forward to working on an exhibition of that scale," he said.
He was equally thrilled when he learned last week that Selz had agreed to accept his offer to serve as juror for Texas National.
"But I am also looking forward to developing exhibitions with the faculty here," he said. "Everyone I have spoken with so far has excellent ideas. These will include a wide variety of media, from photography to painting, various forms of printmaking, and I hope a series of site-specific installations, including Day of the Dead Altars and folk art.
"With a facility like Cole Art Center, we have the ability to bring in a broad range of art," Handley said, "and that is my goal."